{"id":1247,"date":"2023-05-28T07:41:36","date_gmt":"2023-05-28T07:41:36","guid":{"rendered":"https:\/\/nicolinastylianou.com\/portfolio\/?page_id=1247"},"modified":"2026-01-04T20:09:24","modified_gmt":"2026-01-04T20:09:24","slug":"true-pass","status":"publish","type":"post","link":"https:\/\/nicolinastylianou.com\/portfolio\/performances\/true-pass\/","title":{"rendered":"True Pass"},"content":{"rendered":"\n

True Pass is about floating ungrounded as part of aural dimensions of electricity \u2013 on a threshold of being its organismic creator and mediator.

The performance draws an ecstatic schematic diagram of embedded systems through the sense of hearing on focus \u2013 and yet remaining unfinished and inadequate. Practice is to play with the body as (a user)interface for the auditive realm of low-tech live electronics, soundscapes of physical materials and their movement in space. Thematic wrinkle flirt with the conceptualization of sound technology and at the same time opens questions towards a philosophy of electricity.

The working group have been exploring sound and its performativity through wearable experimental instruments and interest variate from philosophy, psychology, mythology and fiction, narration and noise, to the avant-garde Happenings of the 1960s.<\/p>\n\n\n\n

\nhttps:\/\/vimeo.com\/829374395\n<\/div><\/figure>\n\n\n\n

Working group
<\/strong>Concept and live electronics: Jouni Ilari Tapio (MA program in Sound Design, Artistic thesis for Master of Arts)
Artistic collaboration and performance: Nicolina Stylianou (guest), Suvi Tuominen (guest), Jouni Ilari Tapio
Dramaturg: Louna-Tuuli Luukka (guest)
Supervisor: Gesa Piper
Producer: Aliisa Kattelus

Read the performance’s review here (available only in Finnish): https:\/\/hannahelavuori.com\/jouni-ilari-tapio-ja-tyoryhma-true-pass-ja-performatiivisten-aaniesineiden-ja-elavien-esiintyjien-kanssaesiintymisen-mahdollisuudet\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

True Pass is about floating ungrounded as part of aural dimensions of electricity \u2013 on a threshold of being its organismic creator and mediator. The performance draws an ecstatic schematic diagram of embedded systems through the sense of hearing on focus \u2013 and yet remaining unfinished and inadequate. Practice is to play with the body […]<\/p>\n","protected":false},"author":2,"featured_media":1491,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-1247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performances"],"yoast_head":"\nTrue Pass - Nicolina Stylianou<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nicolinastylianou.com\/portfolio\/performances\/true-pass\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"True Pass - Nicolina Stylianou\" \/>\n<meta property=\"og:description\" content=\"True Pass is about floating ungrounded as part of aural dimensions of electricity \u2013 on a threshold of being its organismic creator and mediator. The performance draws an ecstatic schematic diagram of embedded systems through the sense of hearing on focus \u2013 and yet remaining unfinished and inadequate. 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